Three Essays On Picturesque

Three Essays On Picturesque-52
Even more unusually, he expressed ideas about the perception of beauty which were purely aesthetic and often divorced from other qualities of the object viewed, such as morality or utility.After working as curate, Gilpin became master, and from 1755 headmaster, at Cheam School.He was survived by his wife, Margaret (1725 – 14 July 1807), to whom he was married for over 50 years.

Even more unusually, he expressed ideas about the perception of beauty which were purely aesthetic and often divorced from other qualities of the object viewed, such as morality or utility.

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He was an enlightened educationalist, instituting a system of fines rather than corporal punishment and encouraging the boys to keep gardens and in-school shops.

His broad intention was to promote "uprightness and utility" and give his pupils "a miniature of the world they were afterwards to enter." Gilpin stayed at Cheam until 1777, when he moved with his wife Margaret to become Vicar of Boldre in the New Forest in Hampshire.

In the same work he criticises John Dyer's description of the view from Grongar Hill for describing a distant object in too much detail.

Such passages were easy pickings for satirists such as Jane Austen, as she demonstrated in Northanger Abbey and many of her other novels and works.

(Elizabeth Bennet, in Pride and Prejudice, notably refuses to join Mr.

Darcy and the Bingley sisters in a stroll with the teasing observation, "You are charmingly group'd, and...the picturesque would be spoilt by admitting a fourth.") Although he came in for criticism, Gilpin had published at exactly the right time.Improved road communications and travel restrictions on continental Europe saw an explosion of British domestic tourism in the 1780s and 1790s.This was illustrated with plates based on Gilpin's sketches, etched by his nephew William Sawrey Gilpin using the newly invented aquatint process.There followed Observations on the Lake District and the West of England and, after his move to Boldre Remarks on Forest Scenery, and other woodland Views... Gilpin's watercolour technique has been compared to that of Alexander Cozens.In 1782, at the instigation of Mason, Gilpin published Observations on the River Wye and several parts of South Wales, etc.relative chiefly to Picturesque Beauty; made in the summer of the year 1770 (London 1782).He was succeeded at Cheam by his son, another William Gilpin.William Gilpin died at Boldre, Hampshire, on 5 April 1804 and was buried there on 13 April.Even Gilpin's descriptions can seem quite vague, concentrating on how scenery conformed to picturesque principles rather than its specific character.In one much-quoted passage, Gilpin takes things to an extreme, suggesting that "a mallet judiciously used" might render the insufficiently ruinous gable of Tintern Abbey more picturesque.

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