Movie Doubt Essay

Movie Doubt Essay-10
For most of his long literary career, Greene was fascinated with the borderline between good and evil, and he found in the alien world of bombed-out, occupied Vienna a setting so grandly sinister that it demanded a resident devil like Harry Lime, a man exquisitely at home in the pervasive gloom.On the pages of Greene’s script—and even more so in the book version of The Third Man—Harry’s character lacks the softer edge of evil that Welles gives it.In the now famous speech that the actor wrote himself, evil gets some credit for the good it sometimes spreads in its wake.

For most of his long literary career, Greene was fascinated with the borderline between good and evil, and he found in the alien world of bombed-out, occupied Vienna a setting so grandly sinister that it demanded a resident devil like Harry Lime, a man exquisitely at home in the pervasive gloom.On the pages of Greene’s script—and even more so in the book version of The Third Man—Harry’s character lacks the softer edge of evil that Welles gives it.In the now famous speech that the actor wrote himself, evil gets some credit for the good it sometimes spreads in its wake.

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He looks at ease, a man confident that he can return to the darkness whenever he pleases.

Though dressed all in black, he quickly dispels any notion that he is a stock villain by allowing a coy smile to play across his lips, disarming us with an expression of innocent self-satisfaction.

How lucky we are that one of the film’s producers—David O.

Selznick—failed in his strange bid to cast the playwright Noël Coward as Harry Lime.

Those gorgeously filmed bleak streets of Vienna still seem exotic and dangerously alluring.

The cast is superior, Graham Greene’s script is full of great lines, and director Carol Reed’s eye for black-and-white magic is impeccable.

Faceless in their uniforms, the police and soldiers who chase him seem less human and more brutal than the man they hunt.

By the end of the film, the dividing line between the forces of order and disorder narrows to the point where it’s hard to tell them apart.

Against such odds, his desperate escape attempt looks valiant.

He may be doomed to die in the underworld of the sewers, but the irony is that the hellish maze below ground looks tidier and grander than the bombed city overhead.

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