This essay poses these questions through a quantitative analysis of English dramatic history.How can the transformation and abstraction of a play into a network, and then into a metric, reveal new facets of the evolution of drama since the early modern period?Tags: Education For Girl Child EssayDifferentiate Between Project And ThesisEssay On Dignity Of LabourPeer Editing Checklist Descriptive EssayHow To Start Your Research PaperLever House EssayAbstract For ThesisCritical Thinking Strategies In The Classroom
more Measurements of the frequency of a single word in a single text, or in thousands of texts, operate at extremes of scale.
These analyses demand new kinds of abstraction:ones that can take into account minute effects in single texts replicated across a corpus at large.
Measurements of the frequency of a single word in a single text, or in thousands of texts, operate at extremes of scale.
These analyses demand new kinds of abstraction:ones that can take into account minute effects in single texts...
That said, despite its relative prominence and endorsement in these theoretical manuals, aposiopesis rarely makes a presence in Elizabethan verse, and almost never with the purpose Puttenham and his contemporaries ascribed to it.
This paper, conceived within the framework of a project that aims to shed light on under-scrutinised poetic practices and practitioners in Elizabethan England, explores the relationship between precept and practice regarding the figure of aposiopesis in 16th-century English poetry.However, the language of the work is a differentiated language.What is meant by differentiated language is that the language is separated from the daily language with various literary techniques and enrichment.By comparing its codification and use in the Elizabethan era with that of other periods as well as other European countries, I seek better to understand the place of this and other similar figures of poetic ineloquence in a literary culture generally defined by its predilection for rhetorical artificiality and ornament.Drawing on the dual revolution as a concept definitive to histories of the nineteenth century (Hobsbawm, Osterhammel), I argue that the Victorian industrial novel anticipates this concept and accommodates it as a peculiar narrative...more Drawing on the dual revolution as a concept definitive to histories of the nineteenth century (Hobsbawm, Osterhammel), I argue that the Victorian industrial novel anticipates this concept and accommodates it as a peculiar narrative intelligence.Charlotte Brontë’s Shirley (1849) may be the finest example of how the Victorian novel combines the French Revolution and the Industrial Revolution into a narrative intelligence that ultimately results in a sustained schizophrenic split across different narrative instances.Tellingly, a schizophrenic split affects also the presentation of the two revolutions in Shirley, so that the proverbial terror of the French Revolution is hegemonized around and into the Napoleonic Wars, whereas the Industrial Revolution, with profit as its hegemonizing rationale, breaks open into the terror of the Luddite riots.I propose to discuss how Elizabeth Gaskell engages with Brontë’s novel in North and South (1855), mainly by processing the schizophrenic split into the narration based in the focalizing consciousness.While the focalizing consciousness is thus promoted to a narrative apparatus where modern revolutions find their functional articulation, I argue that the story of Antigone provides Gaskell with a template where the schizophrenic residue is contained for further processing.Russian formalism is a literary approach that emerged in Russia in the early 20th century.