Neander gives his palm to the violation of the three unities because it leads to the variety in the English plays.
Dryden thus argues against the neo-classical critics.
"An Essay of Dramatic Poesy" was written during the time period known as the Restoration. The summary is missing important words and phrases.
John Dryden is one of the greatest poets of the seventeenth century.
For Lisideius "no theater in the world has anything so absurd as the English tragicomedy; in two hours and a half, we run through all the fits of Bedlam." Neander favors the moderns, but does not disparage the ancients.
He also favors English drama-and has some critical -things to say of French drama: "those beauties of the French poesy are such as will raise perfection higher where it is, but are not sufficient to give it where it is not: they are indeed the beauties of a statue, but not of a man." Neander goes on to defend tragicomedy: "contraries, when placed near, set off each other.
These four critical positions deal with five issues.
Eugenius (whose name may mean "well born") favors the moderns over the ancients, arguing that the moderns exceed the ancients because of having learned and profited from their example.
Neander speaks in favour of the Moderns and respects the Ancients; he is however critical of the rigid rules of dramas and favours rhyme.
Neander who is a spokesperson of Dryden, argues that ‘tragic-comedy’ (Dryden’s phrase for what we now call ‘tragi-comedy’) is the best form for a play; because it is closer to life in which emotions are heightened by mirth and sadness.