Essay 3 Leda And The Swan

The poet uses alliteration in the form of consonance: the plosive "b" first found in "blow" subtly batters the ear throughout the quatrain--"beating," "bill," and "breast," which occurs twice; the initial "g" found in "great" echoes in "girl"; and an initial "h" repeats in "her," which occurs three times, "he," "holds," "helpless," and "his".

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Temporarily embodied in the majestic form of a swan, Zeus, king of the gods, consummated his passion for Leda, a mortal princess (Perrine 147).The union produced two offspring: Helen of Troy and Clytemnestra, Agamemnon's wife.In recounting this "momentous rape" with "large consequences for the future," (Perrine 147) Yeats uses rhetorical figures in each of the sonnet's three stanzas.42% of women and 15% of men in the federal government have reported sexual Writers are judged if they’re deemed to be worthy enough in become part of the canon, in the early 20th century, William Butler Yeats, an Irish poet, was deemed worthy enough as he speaks to us across time, culture and political beliefs through his poem which contains timeless truths which are valued by human beings Two of Yeats’s poem ‘The Wild Swan at Coole’ and ‘Easter 1916’ which I’m going to refer as ‘Wild Swan’ and ‘Easter’ both poem Binary Oppositions in Leda and the Swan Yeats' "Leda and the Swan" uses the binary oppositions of the beauty and viciousness of Zeus as a swan and the helplessness and eventual strength of Leda, Yeats reveals that even the mightiest entities may suffer the consequences of their misuse of power.In "Leda and the Swan," the beauty of the swan is contrasted with the physical attributes of a swan who acts out his male animalistic power Tyranny is forceful dominance over innocence.Thus far, the figures enumerated evoke the tension of the event; however, other figures help characterize Zeus and Leda.Yeats uses synecdoche, substitution of part for whole, to portray the god and the girl.The figures in the first stanza create tension and portray the event.All definitions for the rhetorical figures mentioned in this essay are derived from Lanham's A Handlist of Rhetorical Terms.The poem starts with an interruption that is then followed by a pause, which is conveyed through the use of a colon.Then, there is an evident contrast between the 'great and might' Zeus with helpless 'earthly' Leda in "the great wings beating" and "above the staggering girl".