Drowning Girl Roy Lichtenstein Essay

Drowning Girl Roy Lichtenstein Essay-3
” Donald doesn’t realise that the fishhook – much to Mickey’s amusement – is caught on his own tail.The image, entitled Look Mickey (1961), is bright, eye-catching and entertaining – but also playfully subversive.

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Lichtenstein’s decision to appropriate a scenario from a comic book marked a serious challenge to the Abstract Expressionism of artists like Jackson Pollock, which had dominated American art since World War II.

Lichtenstein was in the vanguard of the Pop Art phenomenon, which was fascinated with industrial processes and mass consumerism.

Pop Art developed in the early 1960s as a response to abstract expressionism.

It was originally a British movement in the mid 1950s However, artists of this movement such Lichtenstein wanted viewers to be aware that advertising and the production and consumption cycle has come to dominate their lives.

Lichtenstein was born in 1923 into a wealthy family in New York.

After attending summer classes at the city’s Arts Students League, he studied at Ohio State University.“Reverie” references to one of the most popular song in America, “Stardust”, through the lyrics used in the artwork.The artwork is of a headshot of a blonde woman staring off into the distance, with a speech bubble with music notes and lyrics saying “the melody haunts my reverie”.Lichtenstein was a fan of jazz music so he decided to make an painting based on the popular jazz song.It is one of the most recorded pop tune in history with over a thousand versions.Lichtenstein often portrayed women as concerned with love and marriage and in “Reverie” the woman seems to be daydreaming about something, maybe about love.Catherine Spencer does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.This was disrupted by World War II, in which he served in the army in Europe.He then returned to university on the GI Bill, which funded ex-servicemen and women through education.But now his paintings began to draw on the bold, arresting designs and narrative drama of comic books, featuring the iconic Ben-day dots that comic printers used for cheap colour shading.Lichtenstein’s work exemplifies Pop Art’s rich and complex relationship with consumer culture and social change during the febrile decade of the 1960s.


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