The collection made its American debut at Harvard University in the Fall of 2007.
Brinkmann said that "no other aspect of the art of antiquity is as little understood as is the polychrome painting of temples and sculptures", and that modern sculptures, ostensibly inspired by the Greeks but left unpainted, are "something entirely new".
At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials.
The Greeks decided very early on that the human form was the most important subject for artistic endeavour.
The inscription is a declaration of the statuette to Apollo, followed by a request for favors in return.
Apart from the novelty of recording its own purpose, this sculpture adapts the formulae of oriental bronzes, as seen in the shorter more triangular face and slightly advancing left leg.
Smaller works were in a great variety of materials, many of them precious, with a very large production of terracotta figurines.
The territories of ancient Greece, except for Sicily and southern Italy, contained abundant supplies of fine marble, with Pentelic and Parian marble the most highly prized, along with that from modern Prilep in North Macedonia, and various sources in modern Turkey.
Chryselephantine sculptures, used for temple cult images and luxury works, used gold, most often in leaf form and ivory for all or parts (faces and hands) of the figure, and probably gems and other materials, but were much less common, and only fragments have survived.
Many statues were given jewellery, as can be seen from the holes for attaching it, and held weapons or other objects in different materials.